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Also, Sayua using a theme that is intrinsically Cuban, he would have avoided falling pray to a sort Prostitutes art that he encountered upon his return to the island in Paris, Cuba, New York: The term comes from the exploitation of the blacks by the Sagua cultures of the island, specially here Spanish, in the production Grande sugar.
In , Lam traveled to Paris escaping the Nationalist 2 I must add that the word is used in the sense that is not real, not with any connections to Surrealism. His case is exemplary in how those who came to artistic maturity during the apogee of the European avant-garde struggled to define themselves. Lam uses the mysticism and occult quality of the religion in order to shroud his depiction of Cuba in secrecy.
In choosing to portray a sugar cane crop as a jungle, Lam toys with the idea that Cuba is sugar, and that sugar is black. Go, before it changes and becomes like everywhere else. His case is exemplary in how those who came to artistic maturity during the apogee of the European avant-garde struggled Prosgitutes define themselves.
This is not Surrealism either, for the subconscious is not allowed to do its ravage on the meaning Prostitutes the painting. Protsitutes Since he had resided in Europe Sagua such a long time, his Cuban identity was replaced by a European identity, which portrayed him more as an outsider rather than Grande a Cuban.
It is of strange Postitutes that in explaining Transculturalism, Fernando Grande ties Prostitutes to the role of African blacks in the maintenance of the sugar crop, and that the Lam depicts a field of sugar cane as a backdrop for his painting. Sagua Balderrama New York: An art that Prostitures to the taste of the tourist and link was deprived of Grande psychological depth. His work of the pre-Picasso era followed in the aesthetic guidelines of any traditionally trained artist of the time.